Manuscript and Print Cultures
The Manuscript and Print Cultures (MaPC) Research Group is housed in English and Comparative Literary Studies but invites scholars to join from across the Faculty and beyond who work amidst full historical, conceptual, and global scope of manuscript, print cultures, the history of the book and other ephemera. Recent research of MaPC members focuses on medieval manuscript tradition (Wood and Jiang), early modern travel writings (Din-Kariuki), the printing and publishing of early modern playtexts (Grant), correspondence and translation (Botley); classical learning (Verhaart); pamphlets and revolutionary propaganda (West); bilingual and transatlantic literary culture of the Caribbean (Gilmore); periodicals, illustration, and the Gothic (Baker); small press publishing and poetry (Skinner); literary and cultural production and publication in early twentieth century New York (Kelly).
As well as publishing with leading journals and presses, working on Leverhulme funded projects, our staff have written for outlets such as the Times Literary Supplement, and appeared on BBC radio.
Convened by Dr Tess Grant t.grant@warwick.ac.uk and Dr Jen Baker J.Baker.5@warwick.ac.uk
If you would like to be added to the list of research group members below, please email us with your contact details, any webpages, and a brief blurb of your research interests in this area.
Events
Term One 2023-24
(Week 2) MaPC Meet and Greet
Wednesday 11th October, 5-6pm ONLINE Link opens in a new window
Join us for an informal introduction to MaPC and to meet and greet other scholars interested in this area.
(Week 8) “Pedagogy, Play, Primers and Print”
Tuesday 21st November, 5.15 – 6.45pm in FAB 5.49 (ECLS student hub).
Speakers from across the network will give 8-10min talks on a variety of research relating to the topic of pedagogy, play, primers and print.
Nancy Haijing Jiang on a bilingual Middle English and Latin primer of the Book of Hours.
Clive Letchford From Playful Badger to Printed Book - 16th school exercise books.
John Gilmore on c18th schoolboy notebooks.
Jen Baker Transgressive Pedagogy in contemporary Gothic pop-up books.
Term 2, 2023-24
All staff and students are welcome to join the Manuscript and Print Cultures Network for our next session on Tuesday 23rd of January 5.15pm in FAB 5.49 (the student hub in English) – this session is a reading and discussion group based on this pieceLink opens in a new window on Scribal Relics and the Authorial Body.
It would be great to hear what everyone makes of the arguments there, and how it intersects with their own work. We hope to see you there – no prior knowledge needed.
Week 8 - Tuesday 27th February, 5.15pm (FAB 5.49)
In collaboration with the Centre for Global Jewish StudiesLink opens in a new window and the Centre for Renaissance Studies, Manuscript and Print Cultures group has invited Sofer Mordechai Pinchas to come and offer a scribal ‘show and tell’, with materials. He will also talk about the history of Jewish scribing, showing us some examples of writing with the opportunity for participants to have a go! https://www.sofer.co.uk/education
Term 3, 2023-24
WEEK 2 - SHOW AND TELL - Tuesday 30th April, 5.15pm (FAB 5.49)
- Dr David Coates (SCAPVC) "The Material Traces of Britain’s Amateur Theatrical Past (1780-1914)"
In this show-and-tell session, David will share his private collection which contains an array of materials that document a history of amateur theatre in Britain pre-1914. It includes playbills, acting manuals, newspaper cuttings, prints and manuscript items. Alongside this he’ll discuss a range of findings from archives and collections across Britain and the USA to highlight the historiographical challenges of using some of this material and of researching the amateur theatrical past.
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Prof Ralph Hanna (Oxford) "The Book History I do"
Ralph Hanna is Professor Emeritus in Palaeography at the University of Oxford. He has published widely on medieval manuscripts and texts and spends his time rooting around in libraries. His recent books include Introducing Medieval Book History: Manuscripts, their Producers and their Readers (Liverpool, 2013) and Looking at Medieval Books: Learning to See (Liverpool, 2023) and he will be discussing his work and materials, as well as approaches and practice.
WEEK 8 - "Textual Transgressions: Mistakes, Forgeries & Censorship"
- Tuesday 11th June, 5.15pm (FAB 5.49)
A series of 8-10min talks from researchers across the Faculty.
Dr Floris Verhaart (ECLS and Renaissance Centre) on Forgeries
Dr Tess Grant (ECLS and Renaissance) Stop Press Corrections (printing mistakes)
Dr Jessica Wardaugh (SMLC) - fakes and parodies in late nineteenth-century French print culture, especially fake manifestos and election posters and parodies of La Marseillaise. I’ve studied these using the police archives in Paris (the posters were frequently censored and so that’s where they end up). I’m interested in the ways in which they formed part of a wider ludic culture in politics, and in what they reveal of the negotiation of credibility in the public sphere.
Dr Anna Lafranchini (SMLC) - “Concealed translations, authorship, and copyright in Fascist Italy”, discusses examples from my work on the 20th c. Italian translation rights trade for Anna's forthcoming book.
Research Group Members
Dr Teresa Grant is Associate Professor in Renaissance Theatre and Director of the Centre for the Study of the Renaissance. She teaches on the degree programmes in English and History, English and English and Theatre and on the MA in English and Drama (of which she is the convenor). General Editor (with Eugene Giddens and Barbara Ravelhofer) of the Oxford University Press 15 volume The Complete Works of James Shirley.
Dr Jen BakerLink opens in a new window (ECLS) researches nineteenth-century Anglophone death cultures and the Gothic - particularly relating to the child - and more broadly on the novel form, the short form, gothic illustration and gothic publishing, paratexts and epitexts, and more contemporary considerations of "the book" such as Gothic pop-up and other movable ephemera.
Dr Sarah Wood is Associate Professor in Middle English in the Department of English and Comparative Literary Studies. She has published extensively on the manuscripts and textual tradition of Piers Plowman. Prof.
Professor Ingrid De Smet Link opens in a new window(SMLC) regularly works with manuscripts and rare books in her research on the intellectual culture of early modern France, the Low Countries, and Italy; She has taught postgraduate classes on working with manuscripts and rare books, and early modern print culture; and supervise PhD students working with manuscripts and print. Among my current (co-)supervisees in this area is work on Sergei (Zotov) (alchemical manuscripts) and Karin (Sprang) (alba amicorum).
Dr John West (ECLS)
Prof. Ralph Hanna is Professor Emeritus of Palaeography at the University of Oxford. His books include Introducing Medieval Book History: Manuscripts, their Producers and their Readers (Liverpool, 2013) and Looking at Medieval Books: Learning to See (Liverpool, 2023)
Prof. John Gilmore (ECLS)
Dr David Coates Link opens in a new window(TPS) is a cultural historian working on British theatre, amateur theatre, performance and entertainment histories of the long nineteenth century. He is interested in the material traces of theatre from the period, including playbills, published plays, acting editions, newspapers, illustrated news, theatre guidebooks and scrapbooks.
Dr Anna LanfranchiLink opens in a new window (SMLC) is a teaching fellow in Translation and transcultural studies and Italian. Her research focuses on transnational publishing history, history of copyright and literary agents, book programmes and cultural diplomacy.
Dr Nancy Haijing Jiang (ECLS)
Prof. Brenda HosingtonLink opens in a new window is an Honorary Research Fellow in the Centre for Renaissance Studies. Her major area of research is translation history and theory, with a particular focus on the relationship between translation and print in early modern England (Editor in chief of one online catalogue of printed translations (1473-1640) and Co-editor of another (1641-1660) forthcoming). She also publishes on women translators, many of whom produced translations in manuscript, and on Neo-Latin translations and their print history.
Dr Jack Bowman is a current tutor in the History department and recently finished his PhD at Warwick. His research focuses on anti-colonial print networks and political thought in the twentieth-century, with a current focus on Pan-Africanism. He has a recent article upon Indian independence activist V. K. Krishna Menon and his role as an editor in Britain (during which he, among other things, helped found Pelican Books!) now out in The Historical Journal.
Dr Ania Crowther is an Honorary Research Fellow in the Centre for Renaissance Studies and completed her PhD at Warwick in 2018 on James Shirley and the Restoration Stage with a particular focus on the relationship between the manuscript and print versions of Shirley’s The Court Secret. Her work is largely on promptbooks and manuscript edits to Seventeenth-century drama and she is currently editing Youth’s Glory and Death’s Banquet for the Complete Works of Margaret Cavendish project.
Dr Jessica Wardhaugh (SMLC) is a Reader in French Studies, and works on the relationship between politics and culture in nineteenth- and twentieth-century France. She has published books on street politics and political theatre, as well as on ideas of community and democracy. Her current book project explores political play in its verbal, visual, and physical forms, and she is particularly interested in the material and print cultures of popular politics, including posters, flyers, graffiti, and political ephemera.
Madeleine BraceyLink opens in a new window is a first-year PhD student at Coventry University working on the long lost Coventry Grammar School Library. She is supervised by Dr Alice Leonard (Coventry) and mentored by Prof. Paul Botley (Warwick).
Dr Alice LeonardLink opens in a new window is a specialist in the culture and history of error in early modern England. She is interested in how perceptions of error manifested and changed during this period, in epistemological contexts such as natural philosophy, travel and navigation. In 2023, she will be a British Library Eccles Fellow to conduct archival research for my second monograph in this area. She is co-editor on the Notebooks volume of The Complete Works of Thomas BrowneLink opens in a new window (OUP) and is also working on a short book entitled Early Modern Bookspace, under contract with Cambridge University Press.
