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Norman Mailer and American Totalitarianism in the 1960s

Published online by Cambridge University Press:  04 September 2020

Sophie Joscelyne*
Affiliation:
Department of History, University of Sussex
*
*Corresponding author. E-mail: s.joscelyne@sussex.ac.uk

Abstract

This article investigates Norman Mailer's appropriation and Americanization of the concept of totalitarianism as an internal critique of US society and culture in the 1960s. Dominant understandings of totalitarianism from the 1930s to the 1950s focused on external threats and were wedded to notions of pervasive state control of all aspects of life. Mailer's crucial intervention offered an alternative theory which viewed totalitarianism as an internal threat to the United States and de-emphasized the centrality of the state. His theory of cultural totalitarianism focused on internal psychological manipulation rather than external political coercion. Mailer's focus on the United States was symptomatic of a broader intellectual trend towards the study of non-statist forms of totalitarianism which has yet to receive adequate scholarly attention. This article thus illuminates new dimensions of the totalitarianism debate in American political thought and provides a fuller picture of Mailer's significance as a social critic.

Type
Articles
Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press

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References

1 Mailer, Norman, The Presidential Papers, Panther edn (St Albans, 1976), 191Google Scholar.

2 Though Mailer did not use the term “cultural” to describe the totalitarianism he identified, I use this term to identify his distinctive version of this concept, which was focused on the cultural conformity which permeated American society. I do so to differentiate his use of the concept from the prevailing assumption that totalitarianism was a political or statist phenomenon. Other scholars have similarly referred to Mailer's “cultural” totalitarianism but have not considered in detail how his version was related to dominant understandings of the concept. See McKinley, Maggie, Understanding Norman Mailer (Columbia, SC, 2017), 27CrossRefGoogle Scholar; and Zirakzadeh, Cyrus Ernesto, “Political Prophecy in Contemporary American Literature: The Left–Conservative Vision of Norman Mailer,” Review of Politics 69/4 (2007), 625–49, at 631–2CrossRefGoogle Scholar.

3 The most extensive study is Gleason, Abbott, Totalitarianism: The Inner History of the Cold War (New York, 1995)Google Scholar Gleason dedicates just a few lines to alternative readings of totalitarianism among radicals in the 1960s. Other studies of the pre- and postwar period include Alpers, Benjamin L., Dictators, Democracy, and American Public Culture: Envisioning the Totalitarian Enemy, 1920s–1950s (Chapel Hill, 2003)Google Scholar; Adler, Les K. and Paterson, Thomas G., “Red Fascism: The Merger of Nazi Germany and Soviet Russia in the American Image of Totalitarianism, 1930's–1950's,” American Historical Review 75/4 (1970), 1046–64CrossRefGoogle Scholar; Maddux, Thomas R., “Red Fascism, Brown Bolshevism: The American Image of Totalitarianism in the 1930s,” Historian 40/1 (1977), 85103CrossRefGoogle Scholar. For survey studies of totalitarianism that cover a longer period see Traverso, Enzo, “Totalitarianism between History and Theory,” History and Theory 56/4 (2017), 97118CrossRefGoogle Scholar; Rabinbach, Anson, “Totalitarianism Revisited,” Dissent 53/3 (2006), 7784CrossRefGoogle Scholar; and Rabinbach, , “Public Intellectuals and Totalitarianism: A Century's Debate,” in Fleck, Christian, Hess, Andreas, and Lyon, E. Stina, eds., Intellectuals and Their Publics: Perspectives from the Social Sciences (Farnham, 2009), 107–40Google Scholar.

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55 Quoted in Lennon, Norman Mailer, 116.

56 Ibid., 117.

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60 While I maintain that the imperatives of the Cold War and the threat of totalitarianism put a premium on conformity, I do not intend to suggest that no dissent was possible during these years. See Delton, Jennifer A., Rethinking the 1950s: How Anticommunism and the Cold War Made America Liberal (Cambridge, 2013)CrossRefGoogle Scholar.

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64 Ibid., 299.

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69 Ibid., 374.

70 Mailer, “Lipton's Journal,” 17 Dec. 1954. The revolution Mailer was referring to here is ambiguous. It could have been the Russian Revolution, which he was suggesting degenerated into totalitarianism. However, other references to revolution in the journal refer to the cultural transformation Mailer wanted to bring about in Western society. He believed this should be a sexual revolution which would bring about fundamental change in society. The figure of the hipster, later to emerge in “The White Negro,” would lead the way: “the hipster is the underground proletariat of the future, eating away at the husk of society.” “Lipton's Journal,” 17 Dec. 1954.

71 Norman Mailer, “The White Negro: Superficial Reflections on the Hipster,” reprinted in Mailer, Advertisements, 281–302, at 283.

72 Lennon, Norman Mailer, 224.

73 Ibid., 221.

74 For examples of contemporary responses to “The White Negro” see James Baldwin's critique of this essay in “The Black Boy Looks at the White Boy,” reprinted in Braudy, Norman Mailer: A Collection of Critical Essays, 66–81; and Ned Polsky, “Reflections on Hip,” in Mailer, Advertisements for Myself, 309–13. For more recent scholarly consideration see Levine, Andrea, “‘The (Jewish) White Negro’: Norman Mailer's Racial Bodies,” MELUS 28/2 (2003) 59–81CrossRefGoogle Scholar; Petigny, Alan, “Norman Mailer, ‘The White Negro,’ and New Conceptions of the Self in Postwar America,” Mailer Review 1/1 (2007) 184–93Google Scholar; Taylor, Douglas, “Three Lean Cats in a Hall of Mirrors: James Baldwin, Norman Mailer, and Eldridge Cleaver on Race and Masculinity,” Texas Studies in Language and Literature 52/1 (2010) 70–101CrossRefGoogle Scholar; Dahlby, Tracy, “‘The White Negro’ Revisited: The Demise of the Indispensable Hipster,” Mailer Review 5/1 (2011) 218–30Google Scholar; Gray, Jonathan W., Civil Rights in the White Literary Imagination: Innocence by Association (Jackson, 2013), 4471CrossRefGoogle Scholar.

75 Mailer, “The White Negro,” 282.

76 Ibid., 282–3.

77 Ibid., 283.

78 See Fermaglich, Kirsten, American Dreams and Nazi Nightmares: Early Holocaust Consciousness and Liberal America, 1957–1965 (Waltham, MA, 2007)Google Scholar.

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80 Ibid., 284.

81 See Mailer, Norman, “Black Power: A Discussion,” Partisan Review 35/2 (1968), 218–21Google Scholar; and Mailer, , “Looking for the Meat and Potatoes: Thoughts on Black Power,” reprinted in Mailer, Existential Errands (Boston, 1972), 287304Google Scholar.

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89 Ibid., 299. For more on the role of violence in Mailer's work see McKinley, Maggie, Masculinity and the Paradox of Violence in American Fiction, 1950–75 (New York, 2015), 6790Google Scholar.

90 Mailer, “The White Negro,” 299. He also warned that it was possible that totalitarian state violence would emerge in America. Without the “catharsis” of individual violence the injustice of American society could become “turned into the cold murderous liquidations of the totalitarian state.” Ibid., 301.

91 Jean Malaquais, “Reflections on Hip,” in Mailer, Advertisements for Myself, 303–6, at 304.

92 Mailer interviewed by Eiichi Yamanishi, N/D c1967, Norman Mailer Papers, Container 577.2, Harry Ransom Center. Mailer was responding to a question about an answer he gave in “An Impolite Interview” with Paul Krassner published in The Realist in December 1962.

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94 Ibid., 199.

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97 Ibid., 200.

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100 Schultz, Kevin M., Buckley and Mailer: The Difficult Friendship That Shaped the Sixties (New York, 2016), 46–8Google Scholar.

101 Mailer, The Presidential Papers, 51–2.

102 Ibid., 87.

103 Ibid., 92.

104 Ibid., 186.

105 Ibid., 188.

106 Norman Mailer to Eiichi Yamanishi, 24 Nov. 1964, Norman Mailer Papers, Container 553.6, Harry Ransom Center.

107 Mailer, contribution to “On Vietnam” symposium, Partisan Review 32/4 (1965), 638–46, at 639, 641–2.

108 Ibid., 642, emphasis in original.

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110 Quoted in Manso, Peter, Mailer: His Life and Times (New York, 1985), 461Google Scholar.

111 Mailer, Norman, The Armies of the Night: History as a Novel, the Novel as History (London, 1968), 145Google Scholar.

112 Mailer made a similar argument by analogy in his 1967 novel Why Are We in Vietnam? (New York, 2017; first published 1967), which addressed through metaphor the political and cultural problems in America responsible for the US presence in Vietnam.

113 Mailer, Armies of the Night, 188.

114 Ibid., 188.

115 In a typical criticism, Christopher Lasch wrote that Mailer had “steadily enlarged [the meaning of totalitarianism]—as he ha[d] enlarged so many things, the length of his sentences, the heat of his indignation, the scope of his literary ambitions—until it includes everything he finds in the slightest degree distasteful.” Lasch, The New Radicalism in America, 334.

116 Mailer quoted in Arnold, Rus, “The Writer in a Mass Culture,” Writer's Digest 40/3 (1960), 20Google Scholar.

117 Howe, Irving, “A Quest for Peril,” Partisan Review 27/1 (1960), 143–8, at 147Google Scholar.

118 John Daniel, “Hints for a Hero,” The Guardian, 1 May 1964, 10.

119 Richard Kluger, “To Dig, Get off the Middleground,” Book Week, 10 Nov. 1963, 4.

120 Midge Decter, quoted in McKinley, Understanding Norman Mailer, 34, emphasis in original.

121 Schultz, Buckley and Mailer, 4.

122 “Mailer Forms ‘the Fifth Estate’,” San Francisco Chronicle, 7 Feb. 1973.

123 Lennon, Norman Mailer, 461.

124 See Chomsky, Noam, The Culture of Terrorism (London, 1988)Google Scholar; Chomsky, , Necessary Illusions: Thought Control in Democratic Societies (London, 1989)Google Scholar; and Wolin, Sheldon S., Democracy Incorporated: Managed Democracy and the Specter of Inverted Totalitarianism (Princeton, 2008)Google Scholar.