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ISSUE 43 FW23

KALEIDOSCOPE's Fall/Winter 2023 issue launches with a set of six covers. Featuring Sampha, Alex Katz, Harmony Korine, a report into the metamorphosis of denim, a photo reportage by Dexter Navy, and a limited-edition cover by Isa Genzken.

Also featured in this issue: London-based band Bar Italia (photography by Jessica Madavo and interview by Conor McTernan), the archives of Hysteric Glamour (photography by Lorenzo Dalbosco and interview by Akio Kunisawa), Japanese underground illustrator Yoshitaka Amano (words by Alex Shulan), Marseille-based artist Sara Sadik (photography by Nicolas Poillot and interview by Daria Miricola), a survey about Japan’s new hip-hop scene starring Tohji (photography by Taito Itateyama and words by Ashley Ogawa Clarke), Richard Prince’s new book “The Entertainers” (words by Brad Phillips), “New Art: London” (featuring Adam Farah-Saad, Lenard Giller, Charlie Osborne, R.I.P. Germain, and Olukemi Ljiadu photographed by Bolade Banjo and interviewed by Ben Broome).

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FROM THE CURRENT ISSUE

ESCAPE TO MIAMI

The most southernly city in the US, Miami exists in the tropical recesses of the American imagination: land of celebrity, thunderstorms, Tony Montana, and Art Deco architecture. Here, we meet the latest generation of Miamians—committed radicals in the fields of art, fashion, and music, who are dreaming up new narratives for the city they call home.

NEW ART: LONDON 

The art world’s compulsion to categorize by the yardstick of “hot or not” has historically been the driving force behind the market and the gallery system. Commerce is intertwined with this metric, spurred on by the insatiable appetite to find talented young things to build up. This system is uninteresting: what’s in vogue rarely reflects those operating at the cutting edge. Who are those young emerging artists making work against all odds—work that is difficult and costly to make, store, exhibit, move, and sell? These five individuals typify this path. Working across video, sound, installation, and sculpture, they march onwards, carving out their own niche—exhibiting in empty shop spaces one day and major institutions the next. For them, making is guided by urgency, and persistence is motivated by blind faith.

SARA SADIK 

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KALEIDOSCOPE hosted a solo exhibition by Marseille-based artist Sara Sadik (b. 1994, Bordeaux), in November 2023 at Spazio Maiocchi in Milan, with the support of Slam Jam. Inspired by videogames, anime, science fiction, and French rap, Sara Sadik’s work explores the reality and fantasies of France’s Maghrebi youth, addressing issues of adolescence, masculinity, and social mythologies. Her work across video, performance, and installation often centers on male characters, using computer-generated scenarios to transform their condition of marginalization into something optimistic and poetic.

FROM THE SHOP

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ERIK BRUNETTI: OVAL PARODY
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Giger Sorayama
80 EUR
TOBIAS SPICHTIG PAINTINGS
45 EUR

FROM THE ARCHIVE

MANIFESTO

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In 2023, from June 22 to June 24 during Men’s Fashion Week in Paris, KALEIDOSCOPE and GOAT presented the new edition of our annual arts and culture festival, MANIFESTO. Against the unique setting of the French Communist Party building, a modern architectural landmark designed by legendary Brazilian architect Oscar Niemeyer, the festival will bring together visionary creators from different areas of culture across three days of art, fashion and sound. The 2024 edition will run from June 21 to June 23.

CAPSULE PLAZA

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In April 2023, a year after the launch of the magazine, Capsule introduced Capsule Plaza, a new initiative that infuses new energy into Milan Design Week by redefining the design showcase format. A hybrid between a fair and a collective exhibition, Capsule Plaza brings together designers and companies from various creative fields, bridging industry and culture with a bold curation that spans interiors and architecture, beauty and technology, ecology and craft. The 2024 edition will run from April 15 to April 21.

KALEIDOSCOPE #40 SS22

18 EUR

We are delighted to announce the release of KALEIDOSCOPE's new issue #40 (spring/summer 2022), coming with a set of six covers:

 

Portrayed through the lens of Tobias Spichtig, Loïck Gomez aka BFRND talks to Jordan Richman about the power of difference, and the sense of community that lies therein—from his soundtracks for the Balenciaga shows, a product of his creative and life partnership with Demna, to his forthcoming debut album. 

 

In conversation with Adam Wray, designer Matthew M. Williams and painter Josh Smith discuss the “belligerent magic” behind their latest collaboration on the Givenchy SS22 collection—with an original photo story by Jason Nocito, starring Texan emo cowboy and burgeoning fashion icon Teezo Touchdown.

 

East London-based rapper and producer John Glacier (photographed by Davit Giorgadze) sits down for a chat with Cyrus Goberville about her creative process—one which rejects conventions, genre distinctions, and stagnant self-narratives, in favor of intimacy, awareness, and channeling the voice of her inner child.

 

On the occasion of an exhibition celebrating his legacy, we look back to Tom of Finland’s egalitarian, queer utopia. Through photography by Joshua Gordon and an interview by Anastasiia Fedorova, we discover his House in Los Angeles, which exists as an archive, a museum, and an LGBTQ+ community space.

 

Emerged from the gay, black subculture of New York City, and situated amid a network of influences ranging from Andre Walker to the late Virgil Abloh, designer Shayne Oliver talks to Fredi Fischli and Niels Olsen about his newest, collective project Anonymous Club, captured here by Marc Asekhame. 

 

In his practice, Norwegian-German artist Yngve Holen investigates the post-human entanglement between bodies and objects of consumer culture. Interviewed by Philip Maughan, they discuss meat as a product of nature as well as a design object, negotiating the boundary between exploitation and seduction.

 

Also featured in this issue: 

 

Swiss artist Sylvie Fleury has affirmed herself in the ’80s at the center of a new wave of feminism, by appropriating shopping bags, makeup palettes, and candy-colored rockets resembling giant vibrators. In an interview by Whitney Mallett, she shares her outlook on consumerism, superficiality, and celebrity spectacle.

 

Martine Syms’s first full-length feature film exposes the narcissism of the still-so-white art world and the masturbatory nonsense of higher education. While Rindon Johnson shares his afterthoughts in an intimate letter, Nick Sethi takes it to the road with Diamond Stingily, Syms’ long-time collaborator and charismatic lead.

 

Previously dismissed as an atmospheric soundtrack playing in the background of our daily life, ambient resurges as the central aesthetics of the early ’20s, perhaps as an instinctive reaction to global chaos and our infinite-scroll reality. Featuring contributions by Federico Sargentone, Nicholas Korody, and Drew Zeiba, our extensive trend report “Selected Ambient Works” addresses ambient not as a music genre but as a quality, a trope applicable to the entire spectrum of cultural production—with expansive, experiential, synesthetic immersivity making a comeback at the nexus of music, art, and architecture.

 

ABSTRACT, our text-only editorial segment dedicated to urgent research questions of our time, explores the way identity-building has become an increasingly mediated process, where the notion of “performance” seems to be taking center stage. Through two essays by McKenzie Wark and Olivia Whittick and a piece of autofiction by Pablo Larios, “Performance Review” bounces back and forth between true and performed, theory and fiction, self-awareness and self-mythology, ego and gender, to interrogate how the algorithmic experience both pulls from identity and shapes it.

And finally, “SEASON,” the magazine's opening section, accounts for the best of this Spring/Summer with profiles on Jan Vorisek, Cookie Mueller, Friends With Benefits, Berenice Olmedo, Willy Chavarria, Emily Barker, Whaam!, Crystal Murray, Poche Studio, 1909 Paris, Andrew Roberts, LA Timpa, Dylan Solomon Kraus, Cobrasnake, Guerriero Do Divino Amor, You've Never Been Completely Honest, Vitelli, Tohji, 120 BPM, Sun Woo, and James Bantone.