X Marks The Spot respond to the work of Judith Hopf. “ Bad Dad Gallery Production”
Held at Studio Voltaire on Thursday 28th November 2013
This event is the outcome of a recent residency at Studio Voltaire. The event profiled the work of the collective as part of its ongoing research and as a response to the work of Judith Hopf.
Themes:
X Marks The Spot presents a Bad Dad Gallery Production
Thursday 28th November 2013 7pm -9pm
Studio Voltaire 1A Nelson’s Row, SW4 7JR
This event will be the first public outcome of a recent residency at Studio Voltaire. The event will profile works by the group connected to ongoing research and as a response to the work of Judith Hopf.
#women #leadership + #arts = #anxiety
Lauren will be on a panel discussing the issues involved in navigating a leadership journey within the arts. This is in the context of health and well-being especially anxiety ahead of the Anxiety Festival 2014
XMTS @ Past is Prologue Conference
"Chav - Linda"
If ‘cunt’ is reportedly losing its power to shock or offend, don’t worry, other c-words are available. ‘Class’, for instance, appears to have become unsuitable for use in polite society these days, while ‘Chav’ has never been so commonplace in the respectable parlance of those who would never dream of using any other c-word so blithely.
Saul Leiter documentary- 'In No Great Hurry'
A conversational documentary on the work of this New york based photographer. He is best known for his Colour ‘street’ photography though he also worked as a fashion photographer and took portraits. He is also a painter. This film was completed as he recessed his archive.
frieze.com
Judith Hopf
Opting out, collaboration and the inappropriate behaviour of bodies
Frieze issue 109
Judith Hopf - Hospital Bone Dance excerpt
‘In Hospital Bone Dance (2006), produced in collaboration with filmmaker Deborah Schamoni, the programmatic patient–doctor relationship is thrown by the receptionist’s oblique response to a patient seeking help: ‘I’ve got a pain here, I’ve got to see the doctor.’ ‘The doctor? I’d like to see that doctor too!’ Only when the receptionist (the artist again) catches sight on a monitor of a doctor leading a band of mummies dancing zombie-like out of an operating room is her response pragmatic: ‘That moron. They’ll never get back.’ Kirsty Bell, Frieze Magazine
Frieze: Some Ends of Things (2011)
A film by Judith Hopf